Tuesday, 5 February 2013

Planning:

Planning:

We will be shooting the film at my house around 7 O'clock, so that it I quite dark but we are still able to see what is going on. The film will be pretty straight forward, I will make sure that nobody's home and my dogs are out of the way of the film. The preparation is quite straight forward, It will after look realistic so I will be wearing pyjamas, and the house will be empty so that the film looks realistic and as if my parents are actually out of town. My bedroom will be tidy and neat and everything will seem nice and normal. The front doors will need to be opened as I go downstairs so it looks like they have been 'mysteriously' opened by someone, and Ashleigh will be outside dressed in dark clothes, covering her face shining a flashlight into the kitchen window.

Overall, there isn't anything drastic we have to do, we just need to make sure a few bits of planning is done so that the filming flows nicely and that we can enjoy working on the film with ease as well as it looking realistic and original.
Posted by at No comments:
Labels:

Individual analysis of title sequence seven

Individual analysis of title sequence Seven:

The opening title sequence of Seven, is like something I have never seen before, it is one of the best edited and put together sequences I have ever seen. The sequence compares various sighs, signifier and signification which adds to its effectiveness and how we the viewers are enticed into watching the whole film just by the opening title sequence.

The signs that are shown in the opening are a lot of obvious things, like the colour red, graphic pictures of dead people, scissors, needles, ink, blades, hands and fingers.
 The signifier of these sighs suggest various things, red could be portrayed as blood or mystery, the pictures represent murder and death  and the signification behind all of this is that red is used for danger, the writing is used to leave you hanging and wanting to see more and find out what has been written. These signs all suggest a physiological thriller, someone messing with us and showing us images which we take upon ourselves to piece together and then we think we have an idea of the film.
 We see blades, and we see the colour red and we put two and two together, even though they maybe completely unrelated. The makers of the sequence have made it so that we are given various images and colours and we piece it together ourselves and make up our own minds about what is happening.

 This is very clever and links in well with the physiological thriller, there are so many images and clues which we miss and everyone will notice and pick up different bits, therefore it is for your own mind to work out what is going on with the music and images and lettering used, we all will interoperate it differently, but the genre is quite clear, this in itself is a incredibly clever thing to do.
The editing is so fast that we miss so many images and clues and we individually notice different images. Some may see and pick up things that others haven't noticed, and it is verually impossible to see all of the images and clues due to the pacey editing, which again is very thrilling and physiological and even quite exciting.
Posted by at No comments:

Script:

Posted by at No comments:
Labels: , ,

Clothes

clothing for beth

 bedding - made/ messy shows the normal teenage life 

 clothing - on the bedroom floor/ wardrobe could be open 

 clothing on the character - pyjamas shows that it is at night 

 coat - this could be on the chair where she left it from college

 bag - on the floor with all her college books in it 

 shoes - where she left them when she came in from college 

 slippers - on her feet to show she is settling down for the night 

 clothing for liam 

 coat - dark shows him in the shadows 

 jeans - scruffy looking 

 scarf - black to cover his neck 

 boots - could be mucky/ dark coloured wellies 

 hat - black so that we can't see his hair 

 gloves - need to be black 
Posted by at No comments:
Labels:

props

props

flash light - use of this will indicate the phychological factors of being stalked 

camera - use of this to show what and where the film is being shot 

dim lighting - show that it is dark and there is no one home

clock - shows the chronological time of the night 

stairs - shows that the character has no idea that this is happening as she is up stairs 

mobile phone - shows she is alone and that her mum is calling
 
patio doors - shows the dramatic scene opening where the audience can make assumption 
to what is going on 

curtains/ voil - shows the wind blowing creating a spooky effect 

fan - if the wind is not there then we can have a back up

table and chairs - shows it is a homely environment and this is all new 

kitchen -  have some pots on the drainer shows she is a normal teen and leaves them

decking - where she goes out to see what is happening/ looks around the garden 

Posted by at No comments:
Labels:

Character Profiles: Liam Ronson



Name: Liam Ronson

 Age: 18 (3/10/94)

 Appearance: He is quiet and keep to himself and very smart. he has pale skin and short dark brown hair with green eyes. 

 personality: he is quiet and keeps to himself. he like to be alone as he is very uncomfortable in large groups. Liam has schizophrenia and has to take medication. 

 Location: He lives in Barnsley and goes to college there.

 Family background: Liam live in a foster home as he grew up in an abusive house hold where is farther abused him physically and his mother abused him mentally. 

 Close relationships: he doesn't have a close relationship with anyone as he has trust issues.

Personal details

Liam Ronson 
Works:-------
Education: High school: Wombwell High school 
                    College: Barnsley College 
Sex: male 
Interests: Computers. 
Birthday: 13/01/95
languages: English.
Religious views: ------
Political views: ------- 
Contacts
mobile:------
E-mail: Liam_R1994@Hotmail.co.uk 
Relationship: Single
Family: 
Mum:-----
Dad: -----
Posted by at No comments:
Labels:

the kiss girls (link is the escaping from the mental hospital)


plot summery 
Alex Cross, a Washington D.C. cop and forensic psychologist learns that his niece who is going to college in North Carolina is missing. So he goes there and learns that the police think she's among the victims of someone who kidnaps young girls and holds them captive and kills them who dubs himself Cassanova after the great lover. Later Kate, one of his victims, escapes and tries to help Cross find his niece. Written byrcs0411@yahoo.com
Washington DC detective Dr. Alex Cross travels to North Carolina to investigate the apparent kidnapping of his niece. Aided by escaped kidnapee Kate McTiernan, Cross hunts down the kidnapper, who operates under the pseudonym "Casanova". Written byJohn Hawkinson <jhawk@mit.edu>
Budget
$27,000,000 (estimated)

Opening Weekend
$13,215,167 (USA) (5 October 1997) (2,271 Screens)
£832,646 (UK) (8 March 1998) (269 Screens)
DEM 1,619,322 (Germany) (8 March 1998) (354 Screens)

Gross
$60,491,560 (USA) (22 February 1998)
$60,439,715 (USA) (15 February 1998)
$60,314,260 (USA) (8 February 1998)
$60,068,273 (USA) (1 February 1998)
$59,721,359 (USA) (4 January 1998)
$59,669,073 (USA) (28 December 1997)
$59,603,755 (USA) (21 December 1997)
$59,510,706 (USA) (14 December 1997)
$59,295,707 (USA) (7 December 1997)
$58,963,891 (USA) (30 November 1997)
$58,205,579 (USA) (23 November 1997)
$57,299,946 (USA) (16 November 1997)
$55,012,316 (USA) (9 November 1997)
$51,361,693 (USA) (2 November 1997)
$46,351,308 (USA) (26 October 1997)
$39,219,860 (USA) (19 October 1997)
$28,541,579 (USA) (12 October 1997)
$13,215,167 (USA) (5 October 1997)
£3,042,980 (UK) (12 April 1998)
£2,926,664 (UK) (5 April 1998)
£2,719,615 (UK) (29 March 1998)
£2,353,188 (UK) (22 March 1998)
£1,813,239 (UK) (15 March 1998)
£832,646 (UK) (8 March 1998)
$24,500,000 (Worldwide) (8 March 1998) (except USA)
$17,400,000 (Worldwide) (22 February 1998) (except USA)
$13,400,000 (Worldwide) (4 January 1998) (except USA)
$630,000 (Worldwide) (9 November 1997) (except USA)
DEM 3,081,732 (Germany) (15 March 1998)

Weekend Gross
£59,068 (UK) (12 April 1998) (82 Screens)
£76,617 (UK) (5 April 1998) (96 Screens)
£212,489 (UK) (29 March 1998) (175 Screens)
£282,587 (UK) (22 March 1998) (191 Screens)
£535,733 (UK) (15 March 1998) (266 Screens)
£832,646 (UK) (8 March 1998) (269 Screens)
DEM 1,012,187 (Germany) (15 March 1998) (351 Screens)

Admissions
600,780 (France) (30 December 1997)
208,585 (France) (opening week)
269,454 (Germany) (16 March 1998)
139,554 (Germany) (9 March 1998) (opening week)
103,543 (Netherlands) (31 December 1998)

Rentals
$26,261,452 (USA)

Production Companies

Distributors

Special Effects

Other Companies


Posted by at No comments:
Labels:
Subscribe to: Posts (Atom)